The Good, The Bad and The Critic

Established on March 19th, 2012 and pioneered by film fanatic Michael J. Carlisle. The Good, The Bad and The Critic will analyze classic and contemporary films from all corners of the globe. This title references Sergei Leone's influential spaghetti western The Good, The Bad and the Ugly.

Friday, October 11, 2024

Joker: Folie a deux (2024)

Title: Joker 2 
Year: 2024
Director: Todd Phillips
Country: US
Language: English



Todd Phillips Joker (2019) was a cultural phenomenon when it was released. It was a huge hit with critics & audiences, raking in over a $1 Billion in Worldwide gross revenue. I was at Toronto Film Festival, where Joker made its North American debut, and there were entire city blocks worth of people in Joker cosplay. Such a hit meant a sequel was inevitable. Would Joker: Folie a deux live up to the hype? Nope!

Struggling with his dual identity, failed comedian Arthur Fleck (Joaquin Phoenix) meets the love of his life, Harley Quinn (Lady Gaga) , while incarcerated at Arkham State Hospital.

There's a lot of discussion about how Todd Phillips went out of his way to make an anti-film; deliberately trolling the audience by making a film that is the exact opposite of their expectations. I think this is giving too much credit to the Director of Starsky & Hutch (2004). Joker 2 is awful, not because it doesn't give the audience what it wants, but because the writing is incomprehensible garbage. Harley Quinn's motivation is all over the place; plot points are introduced and abandoned at a whim; entire scenes serve no purpose but to fill time. 

Joker had a lot of misses in its writing as well, such as implying that Thomas Wayne was his father, but it stole enough from Martin Scorsese to make the film as a whole work. Folie a Deux's concept has been done before, it was inspired by The Singing Detective, but Todd Phillips and co. aren't talented enough to Tarantino themselves into a good movie twice. 


The only thing Joker: Folie a Deux might do well is serve as a test to weed out pretentious cinema snobs. Is your friend convinced that this film is actually a Kaufman-esque avant guard anti-cinema masterpiece? There's a bridge you may be able to sell to them!