Year: 2025
Director: Jon M. Chu
Country: US
Language: English
Title: The Smashing Machine
Year: 2025
Director: Benny Safdie
Country: US
Language: English
Produced by HBO, The Smashing Machine: The Life and Times of Extreme Fighter Mark Kerr (2002) was a landmark documentary released at a time when MMA (mixed martial arts) was still struggling for mainstream legitimacy. It’s almost hard to believe there was ever a “wild west” era for the sport, considering how massive MMA has become today. That’s what makes time-capsule stories like this so valuable; they capture the pioneers before the world caught up.
The Smashing Machine is a story based on the true events surrounding Kerr's life and rise through the MMA world which was unfortunately derailed by his opioid addiction.
The hype around The Smashing Machine was huge; there were standing ovations at Venice Film Festival, and plenty of talk about Dwayne Johnson in contention for a "Best Actor" Oscar for his performance. However, when it finally hit theatres the film bombed both critically and commercially.
Johnson knows acting is more than putting on makeup, right? When you watch the original documentary, or even view real life interviews with Kerr on Youtube, you'll see that Rock doesn't sound, move, or behave like Kerr at all. The performance is essentially "Rock with makeup" rather than a full transformation. It's a really poor job. I doubt he'll even get a nomination.
A large portion of the film's scenes are lifted directly out of the 2002 documentary, right down to word-for-word dialogue. Safdie's cinematographer, Marceo Bishop, aims for a gritty docu-drama look, but it's often at odds with the film's attempts to tell large-scale storytelling. The screenplay struggles as well. Safdie tries to juggle three stories (addiction, love, and career) but two of them are resolved fairly abruptly with little payoff.
The Smashing Machine could have been the next Raging Bull (1980) or The Wrestler (2008) but its execution failed to deliver, despite the hype surrounding it. Hopefully there are better films made about the same period of time, because the story of MMA is fascinating, and deserves to be explored by more creative people.
Radicalized by the Pandemic
In March 2016, I was wrapping up a contract designing a user interface for a data-entry system. It was a job that felt like the first real step in my career. When the contract ended, I figured the next step would come quickly. I had a degree, experience, references, and an impressive resume for a recently graduated student.
At first, my job hunt was strategic. I applied to companies I genuinely wanted to work at - high(er) paying tech companies with an assortment of benefits. I was a little underqualified, but I figured I might as well shoot for the moon.
The next couple of months I fired off 30+ resumes a day, in addition to weekly meetings with a career counsellor to go over interview preparation. By June I had 2-3 interviews/day, but I kept hearing the same line "You're a strong candidate, but we went with someone who has had more experience."
By September I had given up on my ambitions entirely. No more curated applications. I was applying to Best Buy, Walmart, Safeway - anywhere with a Now Hiring posting on their website. I re-wrote my resume so many times - removing skills so I wouldn't look "too qualified" to stock shelves. Somehow that wasn't enough. I'd show up to minimum-wage interviews and be told I "wasn't the right fit."
Not the right fit...to stock grocery shelves!?
Then came the employment agencies. These were the people whose literal job was to help me find work, and even they questioned my background.
“Who taught you statistics?”
“I went to university.”
“And how did you get this data analysis role?”
“I applied for it.”
“…Did your dad own the company?”
By March 2017, I was drained, both financially, mentally, and emotionally. Savings? Gone EI? Gone. Welfare? 2 weeks away. I finally got a "desperation" job - something I could have gotten when I was sixteen.
I told myself I was lucky to have ANY job, and I felt like it could be taken from me at any moment.
....but something unexpected happened.
The Covid-19 Pandemic
Three years later, the pandemic made everything stop at once. I was laid off, and I felt certain that this time the job market would eat me alive.
I'd watch the news and see CEO's and "leaders" contradict basic safety information. I'd listen to people talk about COVID-19 like it was a cold - brushing off concerns when hospitals were over-capacity with people clinging to their lives in the ICU. I saw people who I once felt inferior to - revealed as clueless, arrogant hypocrites.
Meanwhile, the people being relied upon were the same "replaceable" low wage workers we'd all been told didn't matter and weren't skilled. Cashiers, shelf-stockers, janitors, delivery drivers. They were now "essential" and getting sick so that everyone else could feel safe during the lockdowns.
For the first time, I saw the system clearly: fragile, performative, dependent on the very labor it refused to value. Entire industries survived only because the Government bailed them out - yet they had spent decades on propaganda, telling workers about "personal responsibility."
My view on power dynamics shifted. We are told that employers have all the power, and that workers are lucky to have a job, but that view is designed solely to keep workers in line. The reality is that we have the power to make a difference. I can make a difference.
The pandemic showed that my worth was never determined by whether a hiring manager liked my personality, or if I fit some vague idea of "work culture". These were arbitrary decisions made by a chaotic pedantic system that pretended to be rational.
The truth is obvious. I...WE hold the real leverage. We offer our skills, our time, our labor. Society can't function without us. WE have strong propaganda telling us otherwise, but an individual's "power" depends on our willingness to participate. WE choose where we offer our labor, and we can end entire companies if we decide.
Book Group
Around this time, I also joined a local virtual book group. The members were people I had always thought were "above" me (teachers, ministers, organizers etc.), people respected for their knowledge and opinions. I expected to feel out of place.
Instead, they treated me like an equal. They listened to my thoughts, and when the minister fell ill, allowed me to be in charge of planning group meetings. My ideas mattered. My leadership had weight. It felt empowering and motivating.
Change:
The pandemic, the book group, and these experiences , changed the way I see myself professionally.
I know my skills have real, tangible value. I know that if an employer does not see this value, that's their problem, not mine, and I am not afraid to find work that I genuinely enjoy, which respects and utilizes my abilities. I approach my work with confidence - rather than fear. I think "do I want to be here?" rather than "does this place want me?". My contributions matter.
YOUR contributions matter. YOU matter.
“Never doubt that a small group of thoughtful, committed citizens can change the world; indeed, it’s the only thing that ever has.” - Margaret Mead
Title: One Battle After Another
Year: 2025
Director: Paul Thomas Anderson
Country: US
Language: English
Never has a future "Best Picture" Oscar Winner been more obvious. Paul Thomas Anderson has made a lengthy career of important, enduring, and captivating films like Boogie Nights (1997), Hard Eight (1996), and There Will Be Blood (2007). The latter of which is often considered the best film of the last 25 years. One Battle After Another is PTA's most expensive production, coming in with a budget of $200 million. While it hasn't made its money back, it proves to be a great critical success with 90%+ of viewers giving positive feedback about their experience.
One Battle After Another begins with the liberation of immigration camps, and bombing of government property; an announcement of the "motherfuckin' revolution" by a militant group known as the French 75'. Two members, Bob Ferguson (Leonardo DiCaprio) & Perfidia Beverly Hills (Teyana Taylor) fall in love. Perfidia encounters a deranged white supremacist named Lockjaw (Sean Penn) who finds himself infatuated with her. Lockjaw dismantles the group, but years later he returns to find his daughter. Bob Ferguson must do everything he can to save his daughter.