The Good, The Bad and The Critic

Established on March 19th, 2012 and pioneered by film fanatic Michael J. Carlisle. The Good, The Bad and The Critic will analyze classic and contemporary films from all corners of the globe. This title references Sergei Leone's influential spaghetti western The Good, The Bad and the Ugly.

Thursday, October 17, 2013

Tiny Furniture Re-Review- By Michael Carlisle

Title: Tiny Furniture
Year: 2010
Director: Lena Dunham
Country: US
Language: English

Prior to her critically acclaimed television series Girls, Lena Dunham won film audiences over with her second feature, 2010’s Tiny Furniture. Deciding to make a film at any age is bold, but at only 27 years old she proves to be especially audacious. Despite having more than a few more decades to make pictures, Tiny Furniture may be her magnum opus. It is a wonderfully crafted and thought provoking film that will greatly appeal to the youth of this generation.

Dunham’s film is about a young woman named Aura (played by the writer/director). She is a frustrated young adult who has just graduated a college in Ohio. She has no boyfriend, no job and is only recognized for an embarrassing YouTube video. She is discontent about living at home, but has no money to move elsewhere so she lives with her mother; an artist who photographs tiny furniture.

Tiny Furniture is essentially this generation’s The Graduate; both films are about indecisive characters who just received a degree, yet have no idea what to do with their lives. Both films are about a life crisis; the transition between childhood and adulthood, knowing what you want but not knowing how to get it and being frustrated at a lack of direction in life. Dunham’s film depicts our society’s need for instant gratification and demonstrates that it is quite an unhealthy attitude.

Unlike Benjamin Braddock in The GraduateAura is a woman-child you would never like to meet but likely have. She’s whiny, passive aggressive and incredibly moody. It’s difficult to sympathize with her, which is the genius of the film; it’s a warning against this behavior.

The film lacks a clear narrative but in this we focus on the nuanced characters and this works. Every detail is there for a reason. It flows flawlessly; even the dialogue, which could be considered acerbic, actually serves to improve the experience of truthful realism that is the triumph of Tiny Furniture.

In conclusion, though Dunham's film is often considered the redhead stepchild of the Criterion Collection, it is actually one of the strongest contemporary films in their vast library. I foresee that thirty years from now Tiny Furniture will be used in sociology and film classes to examine the folly's and struggles of Generation Y. Praise it! 5/5

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