The Good, The Bad and The Critic

Established on March 19th, 2012 and pioneered by film fanatic Michael J. Carlisle. The Good, The Bad and The Critic will analyze classic and contemporary films from all corners of the globe. This title references Sergei Leone's influential spaghetti western The Good, The Bad and the Ugly.

Thursday, March 15, 2018

Dames (1934) Review

Title: Dames
Year: 1934
Director: Bubsy Berkeley
Country: US
Language: English

Bubsy Berkeley (Nov 1895 - March 1976) was a film director and musical choreographer who planned elaborate musical numbers that involved complex geometric patterns. He is best known for his four back-to-back hits for Warner Bros; 42nd Street, Footlight Parade, Gold Diggers of 1933 and Dames. The latter picture is what I shall review today. 

A multimillionaire decides to boycott "filthy" forms of entertainment such as Broadway shows.

Released in September 1934, just a few months after the Motion Picture Production Code, Dames presents a playful criticism towards the encroaching era of stifling morality. Equal parts comedy and musical, most of the supporting cast gets a chance to shine in this picture. Keeler, Powell, and Blondell show of their talent for dancing, while Hugh Herbert, Guy Kibbee and Zasu Pitts are allowed enough screen-time to tickle our funny bones. 

The plot isn't exactly feminist friendly, as Blondell's main role is to be a sex trophy and not have much agency in her "choices". This is a Bubsy Berkely musical however, and lavishly cheorographed musical numbers is what Dames does best. The Girl at the Ironing Board is a looney yet boisterous number and I Only Have Eyes for You has some of the most memorable shots ever put to film. Its a grand flick!

Dames is a sexy sleek picture that is memorable in more than one way. It pleased crowds in 1933 and I have no doubt cinephiles take great joy in watching it today. Though regarded as a lesser Bubsy entry, I must give it my utmost respect. 


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