The Good, The Bad and The Critic

Established on March 19th, 2012 and pioneered by film fanatic Michael J. Carlisle. The Good, The Bad and The Critic will analyze classic and contemporary films from all corners of the globe. This title references Sergei Leone's influential spaghetti western The Good, The Bad and the Ugly.

Sunday, June 16, 2019

Paris is Burning (1990) Review

Title: Paris is Burning 
Year: 1990
Director; Jennie Livingston
Country: US
Language: English

"My father always said you've got three strikes and you're an outcast in America. Well dad, I've got three. I'm black, I'm male and I'm gay." Jennie Livingston's Paris is Burning (1990) proves to be a unique queer documentary that combines the harsh reality of being an outcast with the thrill of gay pagentry. Even if you're cis you'll find something to love about this captivating picture about a community you may rarely encounter. 

Paris is Burning is a chronicle of New York's drag scene in the 1980s, focusing on balls, voguing and the ambitions and dreams of those who gave the era its warmth and vitality.

Rotating between footage of a grand gay ball and interviews with members of the ball community, Livingston creates a meaningful picture that demonstrates the longings, desires and moods of people who are often shut out from society. We hear about the social injustice experienced by the community by the outside, but also feel the warmth of those who feel celebrated by other lgbtt members. 

Its sad to see 14 year old teenagers talking about being kicked out of their home for being gay, but its nice to see that these people have their own "mothers", which are often drag-queens, that help them get back on their feet. These underground New York families feel quite liberating when compared to the oppression of the mainstream world. Livingstone's documentary, made during a very homophobic era, is effective in helping us question our own prejudice & encouraging us to be more accepting. 

In the film, a drag-queen named Dorian Corey says "In a ballroom you can be anything you want. You’re not really an executive but you’re looking like an executive. And therefore you are showing the straight world that I can be an executive. If I had the opportunity, I could be one." Paris is Burning is filled with these incredibly defiant lines that demand we question the way our society functions. It's a remarkable film. 


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