The Good, The Bad and The Critic

Established on March 19th, 2012 and pioneered by film fanatic Michael J. Carlisle. The Good, The Bad and The Critic will analyze classic and contemporary films from all corners of the globe. This title references Sergei Leone's influential spaghetti western The Good, The Bad and the Ugly.

Sunday, November 26, 2023

Working Girls (1986) Review

Title: Working Girls 
Year: 1986
Director: Lizzie Borden
Country: US
Language: English



Winner of a Special Jury Prize at the 1987 Sundance Film Festival, Working Girls (1986) gives us a unique perspective on the world's oldest profession. Far from the typical Hollywood picture, this film gives us a humanist perspective that allows us to empathize with a group that is constantly villainized in mass media. 

The film is a day in the life of Molly (Louise Smith), a queer New Yorker who makes rent taking shifts at a private brothel. 

Working Girls (1986) is funny, dramatic, dark and honest. It is an intimate look at prostitution; director Lizzie Borden calls it "narrative fiction" as it has a cinema-verite style of documentary feel despite being fiction. It does not glamourize prostitution - nor does it serve as a warning against it- as Borden shows life from the workers' perspective. 

Borden's Working Girls strips prostitution of its social stigma and makes it feel similar to a monotonous office job. It's a proactive take that dismantles typical gender politics and offers a new perspective on sexuality. The directing and screenwriting stand-out; I particularly like the slow-burn character development of Molly. 

Working Girls is a breezy film that had me captivated throughout its run-time. It was quite bold in its subject matter; I'm surprised this film was able to be made in the late eighties considering how conservative that decade is known to have been. 





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