The Good, The Bad and The Critic

Established on March 19th, 2012 and pioneered by film fanatic Michael J. Carlisle. The Good, The Bad and The Critic will analyze classic and contemporary films from all corners of the globe. This title references Sergei Leone's influential spaghetti western The Good, The Bad and the Ugly.

Friday, July 25, 2025

Thunderbolts* (2025) Review

Title: Thunderbolts*
Year: 2025
Director: Jack Shreier
Country: US
Language: English




Thunderbolts*
markets itself as the antidote to superhero fatigue - but it assembles itself very much like Earth's Mightiest Heroes meets Suicide Squad. Here we have a bunch of defective losers who team up to take on a threat bigger than themselves. It would be predictable cookie-cutter stuff if not for the fact the film is far more about their humanity & dealing with emotional turmoil; rather than set-pieces, visual spectacle and action. Rarely does Hollywood tackle such themes in such and honest and humanistic way. 

After finding themselves ensnared in a death trap, an unconventional team of antiheroes must go on a dangerous mission that will force them to confront the darkest corners of their pasts.

My biggest let-down from Avengers: Endgame was how they treated Thor's (Chris Hemsworth) mental health struggles as a joke. The character was clearly struggling with PTSD, and binge-eating to cope as a result - yet anytime he interacted with another character it was to be a joke at his own expense. Thunderbolts* has some humor -  but it grapples mental health issues in a very serious way. It's a pretty heavy film that deals with suicidal impulses; and overcoming overwhelming shame; but it still manages to be an immersive entertaining film that challenges your pre-conceptions regarding mental illness. 

Cinematographer Andrew Droz Palermo, gives the picture an intimacy and naturalness that is absent from most of Marvel films. The score by avant-garde band Son Lu, gives the film a strong soulful presence that will stick with you throughout its run-time. The film's pacing and editing is appropriate for its tone. Though it deals with distressing themes; the film never feels like it slows to a crawl or lingers in one place for too long. 

Thunderbolts* is refreshing; a change of pace from Marvel's over-the-top absurd fares in the last few years. This makes me feel like Marvel can get past its rough post-Endgame lull and give us emotionally complex films that lead up to a big Avengers-like event. 


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