The Good, The Bad and The Critic

Established on March 19th, 2012 and pioneered by film fanatic Michael J. Carlisle. The Good, The Bad and The Critic will analyze classic and contemporary films from all corners of the globe. This title references Sergei Leone's influential spaghetti western The Good, The Bad and the Ugly.

Thursday, October 22, 2015

Inside Llewyn Davis Review- By Michael J. Carlisle

Title: Inside Llewyn Davis
Year: 2013
Director: Coen Brothers
Country: US
Language: English
The "struggling artist who is desperately trying to find fame/fortune/love/redemption" story is one that Hollywood loves to milk, likely because it has become proper Oscar bait. Last year's example was Whiplash, which won J.K Simmons a "Best Supporting Actor" award. Other examples include: Ray, Walk the Line, Crazy Heart and The Wrestler. One might go into Inside Llewyn Davis concerned that this too would be formulaic and lack originality, but surprisingly the Coen Brothers' picture has a lot more depth.

 We follow a week in the life of a young folk singer (Oscar Issac) as he navigates the Greenwich Village folk scene of 1961. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles.

 Bearded with unkempt hair falling over his eyes,  Davis is not necessarily easy on the eyes, he does not have an outstanding personality, he does not ooze charisma and his talent is at question sometimes. He is not the easiest guy to like; his morality is dubious and his intelligence wanes.Davis is  reluctant to make any of the commercial compromises that would build anything like a career, which is admirable. but it puts the man in near-absolute poverty. 

We sympathize with this tragic character, who is a victim of both circumstance and personal choice. Davis thinks he has something to prove with his music, but the entire film is full of doubt, sorrow and devastation. Unlike most Hollywood productions, Inside Llewyn Davis really makes us discuss a dilemma many creative people come across; when do artists cut their losses and abandon their careers? A lesser film would end on a positive note, but the Coens are ambiguous at best. Davis could stick around and it MIGHT make his life better, but at the same time it could also drive him to ruin. 

When Davis' sister suggests he quit music and return to the merchant navy, the musician erupts and tells her that to quit music is to merely "exist". It's troubling that the man doesn't notice his lack of current "existence". Still, it's inspiring to see such a driven artistic soul that remains unchanged despite difficulty. Inside Llewyn Davis is a unique film with remarkable acting and enchanting cinematography. Fully of humanity, the film is quite touching and thought provoking. Praise it! 4.5/5

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