Farewell My Concubine (1993) Review- By Michael J. Carlisle

Title: Farewell My Concubine
Year: 1993
Director: Chen Keige
Country: China
Language: Mandarin

Widely considered as the greatest mainland Chinese film of all time, Farewell My Concubine was an immediate international success upon theatrical release, which brought worldwide appreciation for Chinese cinema.  It was given many prestigious awards including Oscar nominations and the Cannes' Palme d'Or. It did very well financially, and paved the way for other Chinese pictures do make great amounts of money throughout the world. 

Farewell My Concubine is a story of two men, who met as apprentices in the Peking Opera, and stayed friends for over 50 years.

Set in the cultural and political upheavals of twentieth century China, the film works as both a deeply personal love story and a culturally shared experience. We see the cold, strict training regiments of the Peking Opera and must confront the difficult nature of theater. We are also drawn into the lives of Dieyi and Xiaolou, a homosexual relationship that is constantly threatened by the collapsing society around them.

If nothing else, Farewell My Concubine is a visual feast. We are treated to an epic full of lavish sets, gorgeous colorful costuming, and emotionally powerful characterization. We are immersed in the setting and feel the extravagant nature of every tumultuous historical event. The score is also incredibly important, as many times it leaves you breathless and on the edge of your seat. 

Farewell My Concubine is a very complex multi-layered film that will leave you wanting more. The 3hr running time will feel like a breeze as you find yourself pondering the many themes of gender identity and sexuality. I can certainly say this is in my top ten of favorite films. Chen Keige's film is a must-see for any cinephile.