The Good, The Bad and The Critic

Established on March 19th, 2012 and pioneered by film fanatic Michael J. Carlisle. The Good, The Bad and The Critic will analyze classic and contemporary films from all corners of the globe. This title references Sergei Leone's influential spaghetti western The Good, The Bad and the Ugly.

Monday, November 4, 2024

Barry Lyndon (1975) Review

Title: Barry Lyndon
Year: 1975
Director: Stanley Kubrick
Country: UK
Language: English



I've heard about Stanley Kubrick's Barry Lyndon since I was a teenager, watching A Clockwork Orange (1971) and Eyes Wide Shut (1999) in secret. I've been a big fan of his work, but I suspected that at least one of his films would be a dud. Barry Lyndon is a 3 hours long period piece that isn't a talking pointin popular culture anymore. Lyndon has to be the dud...right? I'm not going to waste that much time on a bad movie that's abs- oh wait, it's a MASTERPIECE!? Every frame looks like a painting!? Its easily one of the best Kubricks!? Oh my! 

An Irish rogue (Ryan O'Neal) wins the heart of a rich widow and assumes her dead husband's aristocratic position in 18th-century England.

Initially Kubrick had set out to make a film about Napoleon, but financing collapsed. Despite the setback, he chose to adapt an obscure novel, The Luck of Barry Lyndon, for the big screen. It's a fairly balanced film, in terms of drama and comedy, that reminds me of Best Picture winner Tom Jones (1963). Both characters are dumbasses who stumble upwardly into wealth & nobility. Both characters create their own problems that are somehow resolved via blind luck. Both are rare films that make a mockery of nobility, while also being in reverence of it.

Barry Lyndon is a gorgeous film; its set design and scene composition allows each frame to look like a painting. It is a lavish, opulent piece of exquisite cinema that allows a breathtaking score, remarkable cinematography and beautiful costume design to flourish. Honestly, this is one of the best looking films I have ever seen. Its a lengthy film, but no minute is wasted in giving an encompassing, engaging story. Its use of natural lighting - many scenes are shot in candlelight  - is utterly remarkable. 

Barry Lyndon is a must-watch for anybody who is interested in Kubrick. It is a great film that certainly has become one of my favourites. A technical marvel - every sequence is a sight to behold. 



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