The Good, The Bad and The Critic

Established on March 19th, 2012 and pioneered by film fanatic Michael J. Carlisle. The Good, The Bad and The Critic will analyze classic and contemporary films from all corners of the globe. This title references Sergei Leone's influential spaghetti western The Good, The Bad and the Ugly.

Thursday, August 3, 2023

How to Lose a Guy in 10 Days (2003) Review

Title: How to Lose A Guy in 10 Days
Year: 2003
Director: Donald Petrie
Country: US
Language: English




Romantic comedies hit a high note in the 1930's, peaking with It Happened One Night (1934) and Bringing Up Baby (1938). The genre lost favour with post-war (1945+) audiences and didn't become mainstrean commercial hits again until the 80's with When Harry Met Sally (1989). These pictures stayed strong until the 2000's when a string of box office bombs, combined with the rise of superhero films, made the genre Hollywood poison. 

Benjamin Barry (Matthew McConaughey) is an advertising executive aho, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson (Kate Husdon) makes a bet with her boss that she can lose a guy in ten days. Berry and Andie meet not knowing of each others' hidden agendas. 


How to Lose a Guy in Ten Days has an intriguing concept, but its execution is poor. Rom Coms, like Sleepless in Seattle, work because the characters are relatable & down to earth. Their worlds feel "lived in" (Tom Hanks has a life beyond talking to Meg Ryan)  and they look like an every-person in terms of fashion, transportation etc. Both our main characters are intolerable dishonest jerks who we struggle to empathize with. The characters' world feels hollow & without much depth. 


Loosely inspired by Michele Alexander and Jeannie Long’s 1998 self-help book with the same name, How to Lose a Guy in Ten Days is mired in regressive tropes about dating that were cringe back in 2003 & even more dated decades later. I saw it in the theatre when I was 12 & I felt really bad for women who wanted to see themselves in Hudson's character. 


I must admit that there are some genuinely funny moments in the film, but they are overshadowed by the more tedious groan-inducing moments. The miniscule amount of charm in How to Lose a Guy in Ten Days does not make up for the difficulty of sitting through its runtime. 



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