The Good, The Bad and The Critic

Established on March 19th, 2012 and pioneered by film fanatic Michael J. Carlisle. The Good, The Bad and The Critic will analyze classic and contemporary films from all corners of the globe. This title references Sergei Leone's influential spaghetti western The Good, The Bad and the Ugly.

Sunday, December 3, 2023

High Sierra (1941) Review

Title: High Sierra
Year: 1941
Director: Raoul Walsh
Country: US
Language: English



In the 1930's Warner Bros. were the kings of making gangster pictures like Public Enemy (1931) and Scarface (1932). They had sought to make a picture about Dillinger, but they were slammed by the press, for making a movie that glorified real-life criminals. When the heat died down, in the early forties, Warner Bro. bought the rights to a novel called High Sierra - a story loosely based on Dillinger. 

After being released from prison, notorious thief Roy Earle (Humphrey Bogart) is hired by his old boss to help a group of inexperienced criminals plan and carry out the robbery of a California resort.

High Sierra is a wild mix of gangster, film-noir, melodrama, and western. It is Bogart's first main role after a decade of being supporting actor in films like The Roaring Twenties (1939). It is a movie about the loss of - and desire for- more innocent times. It is also about men nostalgic for a time where outlaws were treated as kings. 

Raoul Walsh's direction gives the film a gritty atmosphere filled with tension. The cinematography gives us a sense of dread and impending doom. The film is well paced & the score, by Adolph Deutsch, adds to the emotional weight of important scenes. 


I had a mixed response to
High Sierra. It felt more dated than other Bogart films made at the time, like Maltese Falcon (1941) & Casablanca (1942). A romantic subplot comes across as predatory in present time. I also thought some of the characters' actions didn't make much practical sense. It was easy to like, hard to love. 





No comments:

Post a Comment