The Good, The Bad and The Critic

Established on March 19th, 2012 and pioneered by film fanatic Michael J. Carlisle. The Good, The Bad and The Critic will analyze classic and contemporary films from all corners of the globe. This title references Sergei Leone's influential spaghetti western The Good, The Bad and the Ugly.

Sunday, December 17, 2023

Priscilla (2023) Review

Title: Priscilla
Year: 2023
Director: Sofia Coppola 
country: US
Language: English



 Priscilla (2023) is the antithesis to Baz Luhrmann's Elvis (2022) in both style and substance. Elvis is a flashy stylish popcorn picture, whereas Priscilla is a deliberately paced slow burn. Elvis paints the King of Rock as a victim of his own success, whereas Priscilla is a scathing critique of the man, and an exploration of his doomed marriage. 

Through Priscilla's (Cailee Spaeny) eyes, Sofia Coppola tells the unseen side of a great American myth in Elvis (Jacob Elordi) and Priscilla's long courtship and turbulent marriage,

After decades of Elvis worship, we finally get a film that is critical of the Graceland singer. Priscilla is an education in grooming and toxic masculinity. Elvis sought out young women because he could control them & make them look the way he wanted. When they meet, Priscilla is in 9th grade and she looks like a preteen. It is creepy. 

The soundtrack resists using Elvis' work and instead draw out discomfort and alienation. The cinematography, costume design and production design give Priscilla the look of a subdued period piece. The screenplay does a tremendous job at building Priscilla's character arc. 

Spaeny's performance in Priscilla is remarkable, I hope she gets nominated for an Oscar. Like Spencer  (2021) before it, Coppola's film is important for decontextualizing misunderstood women and giving them a stage to tell their story. More need to be made. 


 

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