Title: The Manor
Year: 2013
Director: Shawney Cohen
Country: Canada
Language: English
Language: English
Ontario born ShawneyCohen began his film career as a digital
effects artist for James Issac’s underwhelming Jason X. Slowly he received greater work with much more respected
films and filmmakers; in 2003 Cohen was the CG supervisor for Alexander Witt’s Resident Evil: Apocalypse, and in 2007
he became the 3D animator for David Cronenberg’s critically acclaimed A History of Violence. Recently Cohen,
along with fellow Canadian Mike Gallay, has decided to make the jump to
Director. Their debut documentary The
Manor is certainly making an impression all along the prairies.
The Manor is an
intimate documentary about Director Shawney Cohen’s odd Jewish family. They
have owned a peculiar strip club/hotel in Guelph, Ontario, Canada since Stawney
and his brother were born. We follow
their days of mediating fights between strippers, changing the bottles in the
liquor room and making sure the club isn’t run into the ground. We also see
real soul shattering characters that will make your stomach quench in despair.
Cohen’s film is shocking in its honesty, having many moments
and characters that are almost too melancholy to sit through. For instance
Roger, Shawney’s father, is a 400 pound man who is absolutely unbearable. He
has a foul mouth and always needs to say the last word. Shawney’s mother Brenda
is the exact opposite of this; a frail Holocaust survivor with anorexia, she
gains most of the audience’s sympathy. The Director makes it clear that the
club is the cause of their problems.
While watching the film I was thinking; what is the
point? Is there any redemptive quality?
Then I compared Cohen’s family to my own and realized that maybe my family
isn’t that terrible after all. There is great healing power in Cohen’s film
because while your family may seem insufferable, they aren’t as bad as this
family. At first the film is depressing, but eventually
it becomes inspiring.
In conclusion, The
Manor is a unique documentary and the filmmaker is brave for doing it. He
doesn't attempt to polish his family, but rather creates an atmosphere of
honesty. Though he never thought it would turn into anything special, it is
slowly becoming a modern Canadian hit, with critics praising him left and
right. 3.5/5
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