Title: To the Wonder
Year: 2012
Director: Terrence Malick
Country: US
Language: English
Terrence Malick is a polarizing figure in the cinematic landscape. His last film, 2011’s Tree of Life, received admiration from some critics and disappointment from just as many. To the Wonder is
no exception; it has critics and audiences in a frenzied debate over
its aesthetic value and overall meaning in the grand scheme of things.
Is it trash or is it gold? I thoroughly believe To the Wonder is absolute gold.
Malick’s beautiful film is about a couple named Neil and Marina (Ben
Affleck and Olga Kurylenko) who fall in love in Paris, only to have
problems arise in their hometown of Oklahoma when their relationship
hits a cooling point. Meanwhile the local Spanish pastor (Javier Bardem)
has a Bergman-esque crisis of faith.
Malick is a thinking person’s director; his films are as complicated
as the elusive auteur.
There are few modern filmmakers that put as much
of themselves in their work as he does. Wonder is a fictional autobiography, as many of the moments in this picture reportedly happened to Malick (as is the case with Life).
It seems that the director has entered an unpredictable creative spurt,
with at least two films we know about in the can, after spending his
career taking around a decade between films.
Malick drowns this picture in intellectual philosophy and non-linear
storytelling, while inspiring the audience with spectacular visuals.
The acting is sublime and each line of dialogue is presented perfectly.
The cinematography is flawless, utilizing the wide angle lenses and
subtle handheld photography that lends to the stream-of-consciousness
editing he’s become known for throughout the bulk of his career. To the Wonder is
essentially an analysis on the human condition, a grand character study
and an intriguing dissection of faith, both religious and romantic.
In conclusion, if you watch films for more than entertainment value then this is a film for you. If you wish to be intellectually challenged while emotionally stimulated then you should definitely pick this film up. It's astounding to realize that forty years after his debut feature Badlands, Malick seems incapable of missing a beat. Praise it! 4/5
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