The Good, The Bad and The Critic

Established on March 19th, 2012 and pioneered by film fanatic Michael J. Carlisle. The Good, The Bad and The Critic will analyze classic and contemporary films from all corners of the globe. This title references Sergei Leone's influential spaghetti western The Good, The Bad and the Ugly.

Tuesday, April 15, 2014

Dracula (1931) Review- By Michael Carlisle

Title: Dracula
Year: 1931
Director: Tod Browning
Country: US
Language: English

By 1931 Bram Stoker's 1897 vampire novel had already been filmed, albeit illegally, by F.W Murnau for the German Expressionist masterpiece Nosferatu. Released on Valentines Day of 1931 this Tod Browning/Bela Lugosi collaboration would surpass Nosferatu in popularity and bring American horror into its own distinctive genre. The vampire flick is one of the most popular sub-genres of horror even to this day.

After a harrowing ride through the Carpathian mountains in eastern Europe, Renfield (Dwight Frye) enters castle Dracula to finalize the transferal of Carfax Abbey in London to Count Dracula (Bela Lugosi) , who is in actuality a vampire. Dracula turns his attention to Mina Seward (Helen Chandler), however Dr.Van Helsing (Edward Van Sloan) will do his best to prevent her from becoming one of the undead.

Bela Lugosi's breakout performance as the Hungarian vampire makes him quite the star in Hollywood after Dracula. Originally Lon Chaney was supposed to be cast, however he died in pre-production and Browning had no choice but to cast Lugosi. He plays the immortal vampire mean and menacingly, but also flamboyantly. Unlike Max Schrek, Lugosi's vampire is more sexual than pure evil. His accent is classic, often imitated but never duplicated "Cheeldren of the Naight!"

Cinematographer Karl Freund employs his German Expressionistic shadow making to add to the eerie atmosphere contained within the film. Browning inspires this version of Dracula, not from Stoker's original novel, but from the stage; the primary sources of the screenplay are from theatrical adaptations. The art direction is astonishing, Castle Dracula looks sinister and unkempt, full of cobwebs and vermin. Unfortunately because it is more theatrical in nature, it is less haunting than Murnau's Nosferatu; there is less of a sense of urgency and fear.


In conclusion, Dracula is quite an enjoyable and entertaining film. In comparison with Nosferatu Browning's film certainly more accessible and family friendly, but I feel a vampire movie should chill you to the bone. Bela Lugosi creates a charismatic figure, but that feels somewhat wrong. This isn't the best horror film, not is it the best Universal 30's monster flick, but it certainly is worth watching. 3.5/5

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