Title: The Big Chill
Year: 1983
Director: Lawrence Kasdan
Country: US
Language: English
Ensemble films are usually either great financial successes (The Avengers), terrible films that will be forgotten months after they are released in theaters (Valentine's Day) or critically acclaimed masterpieces that transcend time (Royal Tenenbaums) The Big Chill is
the latter, despite famed critic Roger Ebert not thinking much about
it. Infact I completely disagree in regards to the conclusion of his
review of The Big Chill. Therefore I am writing my own piece on it.
Directed by Lawrence Kasdan, writer of Raiders of the Lost Ark, The Big Chill is about a group of seven former college friends who gather for a weekend reunion at a
posh South Carolina winter house after the funeral of one of their
friends who committed suicide.
The
plot regarding "old friends reuniting and reminiscing about their
childhood" has been ridiculously overplayed in Hollywood lately. In the
last three years alone it shat out Last Vegas, Grown Ups, Grown Ups 2 and Hot Tub Time Machine.
They appeal to, and are made by, tired old men who are desperately
clinging to their youth. Thankfully Kasdan's film is more intelligent,
less homophobic and less misogynistic than those crap-fests. It is also
very funny, in a very humble kind of way.
The Big Chill is well acted, although with a cast
consisting of Glenn Close, Jeff Goldblum, Tom Berenger and William Hunt
(among others) it's hard to see how it wouldn't be. The dialogue is
realistic, natural and honest. It observes wonderfully well how its
veterans of the 1960s have grown
up into adulthood, consumerhood, parenthood, drunkenhood, adulteryhood,
and regrethood. Kasdan creates a profoundly philosophical flick that
boldly attempts to understand and address the nature of death, life and
love. Each character is well developed and multi-faceted, these are not
caricatures but seem like people you could meet in reality.
In conclusion, The Big Chill will certainly have
you thinking long before the film is over. Its emphasis on substance
over style is refreshing. It's a deliberately paced film that
feels very real. Overall it's an underrated picture of the 80's and has
very few flaws.
Praise it! 5/5
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